Audiovisual art is changing rapidly. Increasingly powerful projectors, screens and lighting rigs with integrated control systems, pervade the interwoven worlds of cinema, gallery and concert halls. These changes blur the borders of the art form with gaming, club and gig visuals, semi-permanent immersive experiences, and giant outdoor screens and projection-mapped buildings.
I’m fascinated by electronic light and sound in art, music and cinema, and so was curious to experience Eclipse, “a spatial light and sound experience” by Japanese art studio Nonotak (Noemi Schipfer and Takami Nakamoto).
You enter the exhibition into a darkened lounge bar that features the first of three separate experiences: a flat, wall-based light work titled Highway that gives a powerful sense of horizontal motion from the stepped sequence of flashing white bands of light.
The next, Dual, is a large sound and light space that uses the kind of directional lighting seen onstage at concerts to …
